You think you know who you are. You have no idea. The director tries to convey their prejudice by showing the different situations they are involved in and how they are treated. As an audience we also understand why they are treated differently…mostly because of the colour of their skin or the way the characters present themselves.
The acclaimed movie earned rave reviews from average viewers, as it asked hard questions about racism on an individual level and showed some harsh realities that are usually avoided on the big screen.
The movie promotes racial awareness, but like any conversation about race, it demands close inspection. Crash shows realities, but in a not-so-realistic way. We do not learn very much about each character in Crash, but we know enough to figure out how Haggis wants us to understand them.
We see a variety of African American men and women, several Hispanic characters, a Persian family, and several Asians. We meet the Cabot family because two young black men, stars in the scene, steal their car.
Likewise, the Hispanic locksmith looking to make a living for his family is hired at the shop of the Persian man struggling with life as an immigrant.
These are the lead characters, all intertwined in their daily lives. This technique of interconnected characters keeps viewers watching. The audience is not stuck with one story or scene for too long. Critics receive the film very differently.
These are to him insufficient attempts to find reasons for immoral behavior. Crash presents many races and their intersections, but the white characters appear to be less complex, and ultimately more forgivable, than the other races. The first white characters we meet are Jean and Rick Cabot, an L.
These are beautiful, confident, well-off characters whose social status is evident at first sight. Anthony goes on to steal her car. We do not leave the scene feeling her actions were reprehensible.
Our fears, our prejudices are correct, and spatial segregation is a necessary evil. In just a short scene, Haggis allows the worst to happen.
No breaking down of stereotypes takes place, in fact quite the opposite. She speaks in a way that both suggests and affirms her white privilege.
In this scene she realizes it is not the people and the world around her, but in fact she is simply an unhappy woman. She begins to cry, and we see her change.
Next she is giving her Hispanic housekeeper a hug and calling the woman her best friend. The scene takes this white character and paints her in a more positive light. I personally do not believe personal troubles to be an excuse for racism, and Haggis may not either, but all the same he presents this chiastic structure with white characters: This presents a lot of questions about white society.
Crash makes it seem as if we are so familiar with this sequence of events that bad people, in this case racists must simply realize the lack of substance in their lives and they are forgiven by the audience.
It is clear Haggis is not allowing the white characters to be villains for his white audience. He ridicules her name, Shaniqua, and she hangs up the phone.Crash Character Analysis Essay Rohun Joseph Crash Character Analysis May 10, Officer Tommy Hansen, a Los Angeles police officer who, after observing his partner Officer John Ryan pull over Cameron Thayer and Christine Thayer and sexually molests Christine, requests a change of partner.
f. Theoretical Perspective – Using the empty chair exercise from Gestalt therapy “promotes the idea of wholeness” and allows the client to “become responsible, grow, and change from past events” (Erford, , p.
), which would allow Christine to deal with some unfinished business. f. The "Crash" movie characters are some of the most memorable characters on the big screen. "Crash" is a films that forces the audience to look at themselves and reflect.
This film presents racial differences in comedic, dramatized and sometimes tragic ways. Because of this, the "Crash" movie characters had to stand out. And that, they [ ].
Nov 14, · The film Crash takes its audience through multiple characters lives and illustrates just how much evil there is in the world today. While taking the audience on this ride of emotions, it teaches us to realize it is never too late to redeem one’s self and change. White Power: An Analysis of Racial Tensions in Crash by Tori Goyette In Paul Haggis directed the Oscar winning film Crash, a drama fundamentally about .
White Power: An Analysis of Racial Tensions in Crash by Tori Goyette In Paul Haggis directed the Oscar winning film Crash, a drama fundamentally about .